Questions posed by Rustam and Matt (my review panel) to me. 
* Who is the audience of this book/ project?
 * Are you approaching this as a designer and/or author/artist? Clarify for
 yourself. Will help you in formulating a method and approach.
 * From whom will you collect the stories? Cast your net wide
 * Why book? What other forms can this project take? Can you utilize
 different media along the process of collecting, compiling and presenting?
 * How can the use of a specific media create more of an impact/ be more
 appropriate?
 * See the possibilities for this project- the process at the moment is very
 linear
 * How can this project and its process be more interactive, initiating
 dialogue? - online? What media can you utilize for this?
 * Can the book be just one part of the project. A record or document of
 the projects process and method?
 * What is your method? - Create a timeline and send asap.
* Also look at the creation of Daily targets.
 * As well as objects, people and spaces also consider the senses - touch,
 taste and smell.
 * Will these stories be presented as they are (fact) or be modified
 (fiction)?
* This is where the question of ethics comes in.
 * What is your role in this project? Are you the art director/ curator -
 speak to Aiyasha about similar work.
 * How can your project be more than just illustration, photography and
 layout?
 * How could you theme/ categorize the 'data' that you collect?
 * What is the history of  'attachment' as a subject through art/ design
 projects, papers, books, literature, painting etc?
* Look at traveling and going to places than being stagnated at one place.
* Find different methods by which to record the stories.
 *Rustam- " DON'T REDUCE IT TO A BOOK!" 
*Find ways of making people comfortable and opening up to you; anonymously maybe?
 * Check out Peter Blake, Assemblage, Deuchamp, Studs Trkel, Alan's project on objects and memories.
Thursday, 2 July 2009
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